Titlebook: Art, Cultural Heritage and the Market; Ethical and Legal Is Valentina Vadi,Hildegard E. G. S. Schneider Book 2014 Springer-Verlag Berlin He

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Chenjie Gu,Jaijeet Roychowdhurye relevance of such codes to the application by courts of existing laws. The chapter then describes in detail a controversial decision in 1985 by Newcastle University to sell a large collection of indigenous objects, mostly originating from what is now Papua New Guinea. This sale led to extensive de

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https://doi.org/10.1007/978-3-319-18953-6 I will look for ways to break this deadlock by drawing on legal studies, history and conflict studies, and mapping some lessons that can be gleaned from discussions about two other heritage categories: human remains and Nazi spoliated art. While the discussion mainly focusses on some Dutch cases, the analysis can have a wider impact.

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Book 2014eritage and the destiny of iconic artefacts have emerged as the new frontier of international law, making headlines and attracting the varied interests of academics and policy-makers, museum curators and collectors, human rights activists and investment lawyers and artists and economists, just to me