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Titlebook: Art, Cultural Heritage and the Market; Ethical and Legal Is Valentina Vadi,Hildegard E. G. S. Schneider Book 2014 Springer-Verlag Berlin He

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發(fā)表于 2025-3-21 20:01:22 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Art, Cultural Heritage and the Market
期刊簡(jiǎn)稱(chēng)Ethical and Legal Is
影響因子2023Valentina Vadi,Hildegard E. G. S. Schneider
視頻videohttp://file.papertrans.cn/162/161851/161851.mp4
發(fā)行地址Addresses current developments concerning the art market, its legal and ethical aspects and key challenges.Provides a multi-disciplinary analysis.Focuses on the restitution of cultural property and di
圖書(shū)封面Titlebook: Art, Cultural Heritage and the Market; Ethical and Legal Is Valentina Vadi,Hildegard E. G. S. Schneider Book 2014 Springer-Verlag Berlin He
影響因子.In the age of economic globalisation, do art and heritage matter? Once the domain of elitist practitioners and scholars, the governance of cultural heritage and the destiny of iconic artefacts have emerged as the new frontier of international law, making headlines and attracting the varied interests of academics and policy-makers, museum curators and collectors, human rights activists and investment lawyers and artists and economists, just to mention a few. The return of cultural artefacts to their legitimate owners, the recovery of underwater cultural heritage and the protection and promotion of artistic expressions are just some of the pressing issues addressed by this book..Contemporary intersections between art, cultural heritage and the market are complicated by a variety of ethical and legal issues, which often describe complex global relations. Should works of art be treated differently from other goods? What happens if a work of art, currently exhibited in a museum, turns out to have originally been looted? What is the relevant legal framework? What should be done with ancient shipwrecks filled with objects from former colonies? Should such objects be kept by the finders?
Pindex Book 2014
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978-3-662-51151-0Springer-Verlag Berlin Heidelberg 2014
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Discipline, Transcendence and Bodily Fluidsternational cultural law as a distinct field of study reflects the . characterised by increased globalisation and the vitality of international law in governing global phenomena. International cultural law has made headlines and attracted the varied interests of academics and policy-makers, museum c
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Jesper Andreasson,Thomas Johanssont is brought to England in violation of the foreign state’s export regulations. At the moment, the legal position is that a state’s right to sue for the return of a cultural object is patrimonial and is categorised as an administrative act when the ownership or possession of the object was vested in
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https://doi.org/10.1007/978-3-319-97238-1t. Collectors may remain at risk for claims asserted against their artworks decades after acquisition. Sellers may be caught in the middle of a dispute between an original owner (or heirs) and good faith purchaser..As the art world has become increasingly global, disputes over ownership have grown m
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