Titlebook: Art and the State; The Visual Arts in C Victoria D. Alexander,Marilyn Rueschemeyer Book 2005 Palgrave Macmillan, a division of Macmillan Pu

令人不愉快

書目名稱Art and the State影響因子(影響力)




書目名稱Art and the State影響因子(影響力)學(xué)科排名




書目名稱Art and the State網(wǎng)絡(luò)公開度




書目名稱Art and the State網(wǎng)絡(luò)公開度學(xué)科排名




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書目名稱Art and the State被引頻次學(xué)科排名




書目名稱Art and the State年度引用




書目名稱Art and the State年度引用學(xué)科排名




書目名稱Art and the State讀者反饋




書目名稱Art and the State讀者反饋學(xué)科排名

不給啤

The American System of Support for the Arts: Artists and Art Museums, ‘indecent’, or ‘blasphemous’ art has led to a substantial reduction in federal aid to arts organizations and to the elimination of direct federal grants to artists in most disciplines. Even before these cuts, the government of the United States supported the arts at a much lower per capita level th

–吃

致命

禁止,切斷

East German Art Before and After the Fall of Communism,iety — first in the Soviet Union and later in the eastern European countries — that differed radically from the place of art in the capitalist west and from the lines of historical development which had shaped European art for many generations. Since the nineteenth century, art and artists had becom

表否定

Changing Countries: Russian Artists in the United States, United States, Britain, and Scandinavia emerged from these discussions. In eastern Germany, artists experienced dramatic transition in their own society — the introduction of new artistic institutions and a developed market system for the arts accompanied the political transformation. Yet significa

interference

輕率看法

acrophobia

https://doi.org/10.1007/978-1-4020-5656-7ivileging of business-world norms and rhetoric championed by both Conservatives and New Labour. The chapter concludes with a discussion of the continuing debate about state funding of the arts in the United Kingdom.

證明無罪