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Titlebook: Art and Life in Modernist Prague; Karel ?apek and his Thomas Ort Book 2013 The Author(s) 2013 Europe.fascism.rationalism.space.writing

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發(fā)表于 2025-3-21 17:38:19 | 只看該作者 |倒序瀏覽 |閱讀模式
期刊全稱Art and Life in Modernist Prague
期刊簡稱Karel ?apek and his
影響因子2023Thomas Ort
視頻videohttp://file.papertrans.cn/162/161829/161829.mp4
發(fā)行地址In contrast to the gloomy picture often given of the twilight years of the AustroHungarian Empire, this book reveals a vibrant, optimistic strain of central European modernism.Ort looks not only at th
學科分類Palgrave Studies in Cultural and Intellectual History
圖書封面Titlebook: Art and Life in Modernist Prague; Karel ?apek and his  Thomas Ort Book 2013 The Author(s) 2013 Europe.fascism.rationalism.space.writing
影響因子In most contemporary historical writing the picture of modern life in Habsburg Central Europe is a gloomy?story of the failure of rationalism and the rise of protofascist movements. This book tells a different story, focusing on the?Czech writers and artists distinguished by their optimistic view of the world in the years before WWI.
Pindex Book 2013
The information of publication is updating

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Palgrave Studies in Cultural and Intellectual Historyhttp://image.papertrans.cn/b/image/161829.jpg
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Extraordinary Disorders of Human Behaviortion rebelled against almost everything the Secession and its Czech disciples stood for, but in these basic goals, they were at one with their predecessors. Like modernists everywhere, they wished to make art appropriate to the age while also furthering the perfection of art’s own inner laws. They d
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發(fā)表于 2025-3-22 15:36:45 | 只看該作者
Extraordinary Disorders of Human Behavior36), and wars are waged time and again in his other major works. Alongside ., the plays of the 1930s, . (1937) and . (1938), grapple directly with war or the threat of war. All of these late works were responses to the deterioration of the international situation in Europe in the 1930s, specifically
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發(fā)表于 2025-3-22 19:55:01 | 只看該作者
Frederic W. Hafferty,Janet P. Haflertheir until-then precarious foothold in the nation’s artistic and cultural institutions. For the first time, they began to reach a wider audience with their work and to gain a measure of critical success, public approval, and economic security unknown in the prewar years. Whereas before the war they
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