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Titlebook: Art and Archaeology; Collaborations, Conv Ian Alden Russell,Andrew Cochrane Book 2014 Springer Science+Business Media New York 2014 Francis

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發(fā)表于 2025-3-21 19:25:35 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Art and Archaeology
期刊簡稱Collaborations, Conv
影響因子2023Ian Alden Russell,Andrew Cochrane
視頻videohttp://file.papertrans.cn/162/161819/161819.mp4
發(fā)行地址Explores new collaborations between artists and archaeologists.Brings together leading international thinkers and practitioners in the field of archaeology.Encourages the creative interplay of various
學(xué)科分類One World Archaeology
圖書封面Titlebook: Art and Archaeology; Collaborations, Conv Ian Alden Russell,Andrew Cochrane Book 2014 Springer Science+Business Media New York 2014 Francis
影響因子This volume presents a collection of interdisciplinary collaborations between contemporary art, heritage, anthropological, and archaeological practitioners. Departing from the proceedings of the Sixth World Archaeological Congress’s ‘Archaeologies of Art’ theme and ábhar agus Meon exhibitions, it includes papers by seminal figures as well as experimental work by those who are exploring the application of artistic methods and theory to the practice of archaeology. Art and archaeology: collaborations, conversations, criticisms encourages the creative interplay of various approaches to ‘a(chǎn)rt’ and ‘a(chǎn)rchaeology’ so these new modes of expression can contribute to how we understand the world. Established topics such as cave art, monumental architecture and land art will be discussed alongside contemporary video art, performance art and relational arts practices. Here, the parallel roles of artists as makers of new worlds and archaeologists as makers of pasts worlds are brought together to understand the influences of human creativity.
Pindex Book 2014
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Colin Renfrew: A Conversation. In this book, there are a number of younger practitioners adopting creative practices in their archaeological work. We want to try to find ways to frame the type of work they’re trying to do. We think that perhaps some reflections from you on your life and your work might help us think critically
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Interface I: Day of the Figurineslica Cycladic figurines were placed in the building and its grounds. In the days that followed, some figurines were moved, some destroyed, some stolen, some collected, and some disappeared completely. Few were recorded and documented.
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Another Proof of the Preceding Theory: Film, Materialities and Stonehengeack and white suits. All of WE play the same instruments—guitar or keyboard—and make the same motions. All of WE’s songs begin with WE: WE want to hold your hand; WE will always love you; WE will be your father figure. WE are indistinguishable, substituting the collective in place of the individuali
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Dust and Debitage: An Archaeology of Francis Bacon’s Studioing this project, archaeologists were employed to deconstruct or ‘excavate’ the contents of Francis Bacon’s painting studio in London, and meticulously reconstruct the room at Dublin City Gallery The Hugh Lane. The studio had long been renowned for its wondrously chaotic contents, its floor strewn w
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