Titlebook: Art Maps and Cities; Contemporary Artists Gloria Lanci Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license t

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Rechnungslegung und Kapitalmarkt,n and design new cities and urban lifestyles. The latest chapter of this history started between the 1910s and 1920s, when artists playfully started to experiment with maps as art subjects. From the 1960s onwards, critical practices aimed to debate the dogmas of cartography and planning, through the

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https://doi.org/10.1007/978-3-662-67409-3, are expressions to communicate and convey meaning, and the definition of ‘map’ implies to understand mapping practices as acts of ‘translating’ spatial knowledge. The concept of ‘urban’ discusses narratives of the city as visual representations, in language and social theories, that oriented studi

Radiation

Alfred Wagenhofer,Ralf Ewert,Georg Schneidereal a complexity of decisions, from what exactly is observed to how to proceed in registering it and what methods to employ in each stage. But as the object produced is a result of choices, technical limitations and subjective presumptions, how can it be described as a ‘true’ representation? This ch

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,Bilanzpolitik — Spezialfragen,aced by land surveying, separating the art from the science of maps. Imaginative maps continued to be produced, but it was at the beginning of the twentieth century that artists engaged with cartography in a completely original way that laid the foundations to the establishment of what can be called

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