Titlebook: Art Cinema and Neoliberalism; Alex Lykidis Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer

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https://doi.org/10.1007/BFb0013601tyranny of authority figures in Yorgos Lanthimos’s . (2009) and . (2011). The impersonal, officious and miscommunicative dialogue in these films is scrutinized in relation to the organizational gothic genre and the technocratic language used to legitimate neoliberalism. There is an analysis of the w

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Extensions of Logic Programmingthe heightened electoral impact of working-class voters. The abandonment of the working class by center-left parties previously aligned with labor movements has opened the door for the co-optation of popular discontent with neoliberalism by right-wing populists. These political dynamics are examined

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intention

Extensions of Logic Programminging of immigrants for the systemic failures of neoliberal capitalism is countered in the French-language films of Michael Haneke through a focus on the class interests that motivate French resistance to multiculturalism. The chapter examines how ambiguity in Haneke’s oeuvre exposes the differences b

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Extensions of Positive Definite Functions-2008 period. The rest of the chapter considers the way art cinema can remain politically relevant by engaging with popular culture, addressing the systemic cruelty of contemporary capitalism and providing ethical and social alternatives to the current order. The chapter concludes with an analysis o

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978-3-030-61008-1The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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2634-5951 beralism. By connecting the aesthetics of art cinema to current social antagonisms, Lykidis positions class as a central concern in our understanding of the polarized dynamics of late capitalism and the escalating provocations of today’s film auteurs..978-3-030-61008-1978-3-030-61006-7Series ISSN 2634-5951 Series E-ISSN 2634-596X