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Titlebook: Arnheim, Gestalt and Media; An Ontological Theor Ian Verstegen Book 2018 The Author(s), under exclusive licence to Springer Nature Switzerl

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發(fā)表于 2025-3-25 03:22:48 | 只看該作者
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發(fā)表于 2025-3-25 11:07:44 | 只看該作者
Conclusion: Medial Wisdom,ing on real medial difference “tends…to reduce that knowledge to a set of abstract propositions about the period aesthetic,” I attempted to show in the preceding chapters the way in which a strong ontology of media form is necessary to understand completely – to characterize – the political-economic changes taking place.
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發(fā)表于 2025-3-25 14:46:10 | 只看該作者
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發(fā)表于 2025-3-25 18:02:35 | 只看該作者
Gestalt Ontology, and media systems, some robust theory of medium is needed. Nevertheless, those process-based accounts of medium introduced recently with the turn to “materialism” and “ontology,” and, influenced by Deleuze, do not directly address an affirmative account of medium, instead substituting partial syste
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發(fā)表于 2025-3-25 20:22:09 | 只看該作者
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發(fā)表于 2025-3-26 03:40:05 | 只看該作者
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發(fā)表于 2025-3-26 06:12:59 | 只看該作者
The Two Elementary Classes of Aesthetic Objects: Spatial and Temporal Modalities,most basic division between such classes. Returning to the idea of existential dependence in Chap. ., one can note a distinct kind of dependence occurring in each class. In spatial arts, all views of a work are one-sidedly dependent on the work; none is privileged. In temporal works, each successive
28#
發(fā)表于 2025-3-26 09:43:19 | 只看該作者
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發(fā)表于 2025-3-26 15:54:39 | 只看該作者
The Ontology of the Individual Modalities,he individual modalities. All of the six modalities have a determinate range of independence. Instead of stressing so much what separates the modalities, the following discussion is intended to look within each of them, apply the idea of the self-image and likeness, and integrate Ingardian ideas of
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發(fā)表于 2025-3-26 17:57:39 | 只看該作者
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