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Titlebook: Applied Theatre: Understanding Change; Kelly Freebody,Michael Balfour,Michael Anderson Book 2018 Springer International Publishing AG, par

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發(fā)表于 2025-3-21 18:12:37 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Applied Theatre: Understanding Change
影響因子2023Kelly Freebody,Michael Balfour,Michael Anderson
視頻videohttp://file.papertrans.cn/161/160200/160200.mp4
發(fā)行地址Provides an accessible understanding of the relationship between Applied Theatre and intent, success, and value.Offers a variety of perspectives on this relationship through chapters authored by key p
學(xué)科分類Landscapes: the Arts, Aesthetics, and Education
圖書封面Titlebook: Applied Theatre: Understanding Change;  Kelly Freebody,Michael Balfour,Michael Anderson Book 2018 Springer International Publishing AG, par
影響因子.This volume offers researchers and practitioners new perspectives on applied theatre work, exploring the relationship between applied theatre and its intent, success and value. Applied theatre is a well-established field focused on the social application of the arts in a range of contexts including schools, prisons, residential aged care and community settings. The increased uptake of applied theatre in these contexts requires increased analysis and understanding of indications of success and value. This volume provides critical commentary and questions regarding issues associated with developing, delivering and evaluating applied theatre programs. Part 1 of the volume presents a discussion of the ways the concept of change is presented to and by ?funding bodies, practitioners, participants, researchers and policy makers to discover and analyse the relationships between applied theatre practice, transformative intent, and evaluation. Part 2 of the volume offers perspectives from key authors in the field which extend and contextualize the discussion by examining key themes and practice-based examples. ?.
Pindex Book 2018
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Language and the Concept of Change: Overview of Leximancer Analysis,sed has received relatively little attention, and that this problematic as it can allow a space for the undisciplined use of language to take place. It holds that critically unchecked language can lead to critically unaware (albeit positively intended) work in applied drama. The chapter presents an
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Critical Perspectives on Applied Theatre for Social Change: Defamilarising Key Words in the Field,nderstanding of success and references to change. In exploring the recruitment of these themes in 139 documents related to applied theatre, there emerged a repetition of key discourses?– social justice, community, education, and participation. The repetition suggests orthodoxy in certain ways of thi
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Change and Continuity in Applied Theatre: Lessons Learnt from ‘the Longest Night’y, I discuss the tensions that exist between the rhetoric of social change and outcomes for participants in applied theatre projects. In particular, I draw on findings from a longitudinal study of an exemplary Australian applied theatre project, The Longest Night. This study revealed that, though pa
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In the Interstice of Intension and Intention of Transformation: Where Applied Theatre Fosters Neolibg the NGOs operating here that donor funding will dry up by 2021 when the country is expected to achieve ‘middle-income’ status. BRAC (Building Resources Across Communities), the largest NGO in the world measured by the number of employees and of people it has helped, is geared up in meeting this ch
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