Titlebook: Applications of Digital Signal Processing to Audio and Acoustics; Mark Kahrs,Karlheinz Brandenburg Book 2002 Springer Science+Business Med

馬賽克

Perceptual Coding of High Quality Digital Audio,pter introduces the basic ideas of perceptual audio coding and discusses the different options for the main building blocks of a perceptual coder. Several well known algorithms are described in detail.

Demulcent

Reverberation Algorithms, a concise framework describing the physics and perception of reverberation. This includes a discussion of geometrical, modal, and statistical models for reverberation, the perceptual effects of reverberation, and subjective and objective measures of reverberation. Algorithms for simulating early re

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熱心

Digital Audio System Architecture,ese changes can be seen by examining the implementation of increasingly complex algorithms in less and less hardware. In this chapter, we will describe how machines have been designed to implement DSP algorithms. We will also show how progress in integration has resulted in the special purpose chips

袋鼠

Intrepid

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Wavetable Sampling Synthesis, in sampling include the traditional playback of digitized audio waveforms from RAM wavetables, combined with sample rate conversion to provide pitch shifting. Sampling evolved from traditional computer music wavetable synthesis techniques, where the wavetable size simply grew to include an entire m