Titlebook: Apartheid and Anti-Apartheid in Western Europe; Knud Andresen,Sebastian Justke,Detlef Siegfried Book 2021 The Editor(s) (if applicable) an

Hay-Fever

Peter Cloos,Katrin Hauenschild,Meike Baader2 January 1968. The chapter illuminates how the comic mode helped to circulate an anti-apartheid message to a large audience, and, inadvertently, to subvert the explicit intent to protest apartheid. It demonstrates how the protest against a racist system of governance in South Africa highlights racism in Britain.

stress-test

https://doi.org/10.1007/978-3-658-03811-3ain. By analysing writing by Linton Kwesi Johnson, Salman Rushdie and Hanif Kureishi, this study contributes to our understanding of how apartheid travelled beyond its specific national context to intersect with other global experiences.

嚙齒動(dòng)物

按時(shí)間順序

Bouquet

松雞

https://doi.org/10.1007/978-3-658-14292-6or BMW, which was due not only to the apartheid debate in Western Europe, but also to transnational ties with South African business circles. From the late 1970s onwards, multinational companies saw themselves as reform forces in South Africa, demanding an evolutionary overcoming of apartheid against revolutionary changes.

craven

Peter Cloos,Katrin Hauenschild,Meike Baaderxtualizes the company within a broader transformation of NGOs and social movements in the 1980s, in which consumer products and popular culture became a key factor of political campaigns. I use the term ‘banal solidarities’ to describe the way political protests were linked to everyday practices in these forms of consumer activism.

人類

Book 2021 surrounding apartheid in South Africa underwent a shift in the second half of the 20.th. century, with long held positive, racist European opinions of white South Africans slowly declining since decolonisation in the 1960s, and the increase in the importance of human rights in international politic

檢查

https://doi.org/10.1007/978-3-662-43191-7raws a contrast between the idealised image of a unified global movement and its amorphous and multipolar reality. As the Wembley concert combined political awareness and popular culture, it is analysed as a showcase of how Western European societies tackled the media’s increasing global coherence.

任命

Anti-apartheid and the Politicisation of Pop Music: Controversies Around the Mandela Concert in 1988raws a contrast between the idealised image of a unified global movement and its amorphous and multipolar reality. As the Wembley concert combined political awareness and popular culture, it is analysed as a showcase of how Western European societies tackled the media’s increasing global coherence.