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Titlebook: Anthropocene Poetry; Place, Environment, Yvonne Reddick Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license

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發(fā)表于 2025-3-21 19:16:38 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Anthropocene Poetry
期刊簡(jiǎn)稱Place, Environment,
影響因子2023Yvonne Reddick
視頻videohttp://file.papertrans.cn/159/158259/158259.mp4
發(fā)行地址Intervenes in debates about climate change and extinction and poetry’s role in environmental awareness and activism.Offers insights on how race, gender, and sexuality inflect writers’ responses to the
學(xué)科分類Literatures, Cultures, and the Environment
圖書封面Titlebook: Anthropocene Poetry; Place, Environment,  Yvonne Reddick Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive license
影響因子.Anthropocene Poetry: Place, Environment and Planet.?argues that the idea of the Anthropocene is inspiring new possibilities for poetry. It can also change the way we read and interpret poems. If environmental poetry was once viewed as linked to place, this book shows how poets are now grappling with environmental issues from the local to the planetary: climate change and the extinction crisis, nuclear weapons and waste, plastic pollution and the petroleum industry. This book intervenes in debates about culture and science, traditional poetic form and experimental ecopoetics, to show how poets are collaborating with environmental scientists and joining environmental activist movements to respond to this time of crisis. From the canonical work of Ted Hughes and Seamus Heaney, to award-winning poets Alice Oswald, Pascale Petit, Kei Miller, and Karen McCarthy Woolf, this book explores major figures from the past alongside acclaimed contemporary voices. It reveals Seamus Heaney’s support for conservation causes and Ted Hughes’s astonishingly forward-thinking research on climate change; it discusses how Pascale Petit has given poetry to Extinction Rebellion and how Karen McCarthy Woolf
Pindex Book 2024
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,Pascale Petit: Entanglement, Animals, and the ‘Anthropocene Extinction’,uch as Stacy Alaimo have criticised Anthropocene culture for focusing on inert rock strata rather than living organisms (Alaimo, Stacy. ‘Your Shell on Acid: Material Immersion, Anthropocene Dissolves.’ In Richard Grusin, ed. .. Minneapolis: Minnesota UP (2017). Pp. 89–120), Pascale Petit’s work thro
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