Titlebook: Anime from Akira to Princess Mononoke; Experiencing Contemp Susan J. Napier Book 2001 Palgrave Macmillan, a division of Nature America Inc.

一個(gè)希拉里

書目名稱Anime from Akira to Princess Mononoke影響因子(影響力)




書目名稱Anime from Akira to Princess Mononoke影響因子(影響力)學(xué)科排名




書目名稱Anime from Akira to Princess Mononoke網(wǎng)絡(luò)公開度




書目名稱Anime from Akira to Princess Mononoke網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Anime from Akira to Princess Mononoke被引頻次




書目名稱Anime from Akira to Princess Mononoke被引頻次學(xué)科排名




書目名稱Anime from Akira to Princess Mononoke年度引用




書目名稱Anime from Akira to Princess Mononoke年度引用學(xué)科排名




書目名稱Anime from Akira to Princess Mononoke讀者反饋




書目名稱Anime from Akira to Princess Mononoke讀者反饋學(xué)科排名

overreach

BLINK

and ,: The Monstrous Adolescentte of a welter of contradictory feelings, from tremulous hope to savage disappointment. This chapter discusses two forms of the representation of the adolescent body in Japanese animation, the confused and terrifying figure of Tetsuo in Otomo Katsuhiro’s 1988 tour de force . and the confused and com

ELATE

規(guī)范要多

染色體

Doll Parts: Technology and the Body in psychology of its human protagonist, the final work to be discussed in this section, Oshii Mamoru’s 1995 film . (., although the English title is used as well) also turns inward in its exploration of the possibilities of transcending corporeal and individual identity. Less popular in Japan than ., o

問到了燒瓶

不透明性

Carnival and Conservatism in Romantic Comedyslapstick, humor and revolves around what are usually known as “magical girlfriends.”. These magical girlfriends have genuinely magic powers and are somewhat older than the . characters in Miyazaki’s works. Furthermore, in contrast to the rather androgynous Miyazaki heroines, they are sexualized fig

伴隨而來

No More Words: ,, ,, and “Victim’s History”ividual autobiographical accounts of personal suffering. In this regard, they attempt to “speak for history” in a personal voice that, through the power of vivid images of suffering, destruction, and renewal, becomes a collective voice of the Japanese people. They are both essentially family dramas

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