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Titlebook: Animating Unpredictable Effects; Nonlinearity in Holl Jordan Gowanlock Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 20

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發(fā)表于 2025-3-21 16:04:10 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Animating Unpredictable Effects
期刊簡(jiǎn)稱Nonlinearity in Holl
影響因子2023Jordan Gowanlock
視頻videohttp://file.papertrans.cn/158/157743/157743.mp4
發(fā)行地址This book is open access, which means that you have free and unlimited access.Rethinks the historical and theoretical relationship between animation, mathematics, and engineering by studying software
學(xué)科分類Palgrave Animation
圖書封面Titlebook: Animating Unpredictable Effects; Nonlinearity in Holl Jordan Gowanlock Book‘‘‘‘‘‘‘‘ 2021 The Editor(s) (if applicable) and The Author(s) 20
影響因子.Uncanny computer-generated animations of splashing waves, billowing smoke clouds, and characters’ flowing hair have become a ubiquitous presence on screens of all types since the 1980s. This Open Access book charts the history of these digital moving images and the software tools that make them. .Unpredictable Visual Effects. uncovers an institutional and industrial history that saw media industries conducting more private R&D as Cold War federal funding began to wane in the late 1980s. In this context studios and media software companies took concepts used for studying and managing unpredictable systems like markets, weather, and fluids and turned them into tools for animation. Unpredictable Visual Effects theorizes how these animations are part of a paradigm of control evident across society, while at the same time exploring what they can teach us about the relationship between making and knowing. .
Pindex Book‘‘‘‘‘‘‘‘ 2021
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Adam Smith and the New Economics of Effortarts with nineteenth century mathematics, which were transformed into management and prediction tools by private and military R&D between the 1940s and 1980s. Through this, the chapter identifies a connection between these animation tools and simulation tools used in fields as diverse as meteorology
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Ethics, Economics and the Corporation to critics who dismiss these as mere tools for hyperrealism. This provides for a better understanding of a diverse range of contemporary digital media production practices that involve extensive technical work, but it also sheds light on film production practices going back a century. Using the exa
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https://doi.org/10.1007/978-3-030-74227-0Animation; Visual Effects; Live-Action Cinema; Economics; Mechanical Control; Socio-Political; Engineering
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978-3-030-74229-4The Editor(s) (if applicable) and The Author(s) 2021
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