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Titlebook: Animated Documentary; Annabelle Honess Roe Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Limited 2013 animation.bibliog

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21#
發(fā)表于 2025-3-25 05:20:43 | 只看該作者
22#
發(fā)表于 2025-3-25 11:32:56 | 只看該作者
Animated Interviews, for the latter. In . Michael Chanan (2007) recalls being summoned to a 1978 trial to present footage shot at an anti-Fascist rally. The layout of the courtroom demanded the projector be set up in the witness box in order that the court could see the image. This ironic anecdote demonstrates how docu
23#
發(fā)表于 2025-3-25 13:48:49 | 只看該作者
24#
發(fā)表于 2025-3-25 17:22:21 | 只看該作者
Animated Memories, of images flit and flicker on the screen, which often splits to display multiple versions of the same image. Items from the Ravetts’ personal archive are shown along with those from the official archive of public history and family photographs, some of them recently discovered, appear juxtaposed wi
25#
發(fā)表于 2025-3-25 22:08:57 | 只看該作者
26#
發(fā)表于 2025-3-26 03:33:38 | 只看該作者
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發(fā)表于 2025-3-26 05:15:20 | 只看該作者
Altering Distribution of Suppliesiewing outlets, there was until recently only a handful of published scholarly material on the form. A recent special edition of . (November 2011) on animated documentary and an increase in articles and chapters in other publications hopefully signals the beginnings of a critical mass in this area,
28#
發(fā)表于 2025-3-26 11:39:54 | 只看該作者
29#
發(fā)表于 2025-3-26 15:25:22 | 只看該作者
Varun Dhiman,Deepak Pant,Som Dutt Sharma for the latter. In . Michael Chanan (2007) recalls being summoned to a 1978 trial to present footage shot at an anti-Fascist rally. The layout of the courtroom demanded the projector be set up in the witness box in order that the court could see the image. This ironic anecdote demonstrates how docu
30#
發(fā)表于 2025-3-26 17:38:33 | 只看該作者
Narendra N. Dalei,Anshuman Gupta of the live-action alternative, a tendency can be traced wherein animation compensates for the shortcomings of live-action footage. Either the footage does not exist (as in ., because cameras were not allowed into the courtroom in 1968) or it is impossible to film the subject (such as ., where the
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