Titlebook: Animals in Victorian Literature and Culture; Contexts for Critici Laurence W.‘Mazzeno,Ronald D. Morrison Book 2017 The Editor(s) (if applic

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Introduction,ontributors attempt to recover shifting and complex contexts in which Victorians addressed the subject of animals through a wide range of written forms. Some scholars depend on traditional biographical and historical scholarship, while others rely upon emerging theoretical positions. Summaries of th

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Dickens, ,, and the Smithfield Controversy at the Time of the Great Exhibitionritten by Dickens and several other writers reveal that the humane treatment of animals had become an increasingly mainstream concern by the 1850s. These articles frequently utilize common elements of humane ideology articulated by Harriet Ritvo: the policing of the lives of the poor, the enforcemen

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Bull’s-eye, Agency, and the Species Divide in ,: a Cur’s-Eye Viewns’s representation of the dog Bull’s-eye, a recalcitrance that survives analogy. Crucially, Bull’s-eye’s behavior is more explicable than that of major protagonists (for example, Oliver and Bill Sikes). Bull’s-eye is a site for the displacement of an unresolved anxiety that was at the heart of deba

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Performing Animals/Performing Humanityby contemporaries in improving training techniques, although many ostensible improvements focused on trainers’ effectiveness rather than actions reducing cruelty to animals. These performances regularly blurred the line between human and animal, often at what Victorian commentators pinpoint as the m

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“I Declare I Never Saw so Lovely an Animal!”: Beauty, Individuality, and Objectification in Nineteent apart from their “animality,” included within the framework of the family, and ensconced as narrators of autobiographies. These texts place narrators within gendered frameworks, linking them to female objectification, passivity, and dependence, constructing the animal narrator as a helpless and mo

Homocystinuria

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