Titlebook: Animals in Detective Fiction; Ruth Hawthorn,John Miller Book 2022 The Editor(s) (if applicable) and The Author(s), under exclusive license

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“The Motto of the Mollusc”: Patricia Highsmith and the Semiotics of Snailsmith uses snails, and her characters’ attitudes towards them, to register a range of responses to American capitalist culture in the mid-twentieth century..In ., Gaston Bachelard’s “motto of the mollusc” regards the snail as a symbol of reciprocity between individual and environment. Highsmith’s cha

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“Before the white man came, when animals still talked”: Colonial Creatures in Sherman Alexie’s , ande writing, wherein trickster discourse and animal mythology serve as impulses towards a comprehensive and political understanding of the existence of humans and other animals on all physical and spiritual realms. Countering Western representations of Indigenous peoples and animals as othered creatur

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https://doi.org/10.1007/978-3-031-09241-1animal studies; Human-Animal interaction; animal ethics; detective fiction; crime fiction; science fictio

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https://doi.org/10.1007/978-94-011-2378-5o begin to redress the curious lack of creatures in critical engagements with the detective form and in doing so to reconceive the genre as one in which the question of species is key. To do so, we offer two case studies. In the first we explore the origins of the detective form in Edgar Allan Poe’s

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