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Titlebook: Animality and Children‘s Literature and Film; Amy Ratelle Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 An

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樓主: 哪能仁慈
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發(fā)表于 2025-3-23 11:05:26 | 只看該作者
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Critical Approaches to Children‘s Literaturehttp://image.papertrans.cn/a/image/157699.jpg
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發(fā)表于 2025-3-23 23:18:00 | 只看該作者
,Production and Productivity 1920–1962,d the easy fluidity of interspecies affection and identification in my own home made me keenly aware of how Western philosophy, historically, has worked to deny subject-hood to animals, to configure this relationship situated in love and mutual respect as delusional or wishful thinking. It is possib
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發(fā)表于 2025-3-24 04:35:02 | 只看該作者
The Growth of Services in the Economy, (1905), and his often-overlooked nonfiction ode to sled dogs, “Husky — The Wolf Dog of the North” (1900). This analysis, however, can be expanded to include filmic adaptations of London’s writing, including both those that adhere closely to the source text and those which omit the main human charac
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發(fā)表于 2025-3-24 08:22:20 | 只看該作者
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發(fā)表于 2025-3-24 13:01:07 | 只看該作者
Economic Growth in the European Unionously evoking the promise of technological Utopia through augmentation and an anti-technology backlash, “cyborgs are a product of fears and desires that run deep within our cultural imaginary” (Balsamo 1996, p. 32). As products of the laboratory environment, experimental animals in fiction can be us
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發(fā)表于 2025-3-24 22:11:47 | 只看該作者
Introduction,d the easy fluidity of interspecies affection and identification in my own home made me keenly aware of how Western philosophy, historically, has worked to deny subject-hood to animals, to configure this relationship situated in love and mutual respect as delusional or wishful thinking. It is possib
20#
發(fā)表于 2025-3-24 23:53:37 | 只看該作者
Contact Zones, Becoming and the Wild Animal Body, (1905), and his often-overlooked nonfiction ode to sled dogs, “Husky — The Wolf Dog of the North” (1900). This analysis, however, can be expanded to include filmic adaptations of London’s writing, including both those that adhere closely to the source text and those which omit the main human charac
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