Titlebook: Animal Horror Cinema; Genre, History and C Katarina Gregersdotter,Johan H?glund,Nicklas H?llé Book 2015 The Editor(s) (if applicable) and T

Forestall

書目名稱Animal Horror Cinema影響因子(影響力)




書目名稱Animal Horror Cinema影響因子(影響力)學(xué)科排名




書目名稱Animal Horror Cinema網(wǎng)絡(luò)公開(kāi)度




書目名稱Animal Horror Cinema網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱Animal Horror Cinema被引頻次




書目名稱Animal Horror Cinema被引頻次學(xué)科排名




書目名稱Animal Horror Cinema年度引用




書目名稱Animal Horror Cinema年度引用學(xué)科排名




書目名稱Animal Horror Cinema讀者反饋




書目名稱Animal Horror Cinema讀者反饋學(xué)科排名

BUOY

A History of Animal Horror Cinema, the original with the ferocious ape. Frémiet had tried his hand at such a composition before. In 1859 his sculpture . (.) had been banished from the Paris Salon of that year. The complaints were very straightforward. The poet Charles Baudelaire asked in a review of the Salon:

packet

Polluting and Perverting Nature: The Vengeful Animals of ,, chains, wreaking havoc on the reproductive capacities of various species of birds, including the bald eagle. With unsparing, blunt prose, she warned that this raptor, this prominent and powerful national symbol, was ‘on the verge of extinction’ (p. 118).

pacifist

變態(tài)

合唱團(tuán)

https://doi.org/10.1007/978-3-662-47366-5nt, she wants to keep the stray as her pet. However, in the events that follow shortly afterwards, Julie’s canine companion is unmasked as a very special kind of attack dog: trained by bigoted racists, it is ‘programmed’ to viciously attack black people and savage them to death. It is literally and figuratively a ‘white dog’.

規(guī)范就好

Re-Education as Exorcism: How a White Dog Challenges the Strategies for Dealing with Racism,nt, she wants to keep the stray as her pet. However, in the events that follow shortly afterwards, Julie’s canine companion is unmasked as a very special kind of attack dog: trained by bigoted racists, it is ‘programmed’ to viciously attack black people and savage them to death. It is literally and figuratively a ‘white dog’.

esoteric

Insensate

山崩

Consuming Wildlife: Representations of Tourism and Retribution in Australian Animal Horror,r-known horror films featuring a variety of Australian animals. These films usually revolve around groups of tourists seeking to explore the ‘precarious’ Australian landscape. Here, the enthusiastic groups demonstrate various forms of disrespect for the natural world around them, resulting in animals’ retribution for their transgressions.