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Titlebook: An Open System Meets an Open System; Sarah Morris and Han Sarah Morris,Hans Ulrich Obrist Book 2013Latest edition Springer-Verlag GmbH Wien

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發(fā)表于 2025-3-21 19:22:47 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱An Open System Meets an Open System
期刊簡(jiǎn)稱Sarah Morris and Han
影響因子2023Sarah Morris,Hans Ulrich Obrist
視頻videohttp://file.papertrans.cn/156/155672/155672.mp4
發(fā)行地址New volume in "Art and Architecture in Discussion" series.Contributions to the interface of Art and Architecture.Lead by Hans Ulrich Obrist.Includes supplementary material:
學(xué)科分類Art and Architecture in Discussion
圖書封面Titlebook: An Open System Meets an Open System; Sarah Morris and Han Sarah Morris,Hans Ulrich Obrist Book 2013Latest edition Springer-Verlag GmbH Wien
影響因子The American artist Sarah Morris talks with the curator Hans Ulrich Obrist about her films and paintings, which explore buildings, cities and structures and centers of power. The focus of the conversation is her longtime interest in urban developments, architecture and architects like Philip Johnson, Mies van der Rohe, Robert Venturi and many others. Sarah Morris (born 1967) lives and works in New York and London. Since the mid-1990s, she has been making complex abstract paintings and films. These works, are derived from close inspection of architectural details combined with a critical sensitivity to the psychology of a city and its key protagonists. She showed her work in many solo exhibitions including Hamburger Bahnhof in Berlin (2001), Palais de Tokyo in Paris (2005) and MMK in Frankfurt (2009).
Pindex Book 2013Latest edition
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Bright Lights, Big Cities,stead, one witnesses close-ups of neon tubes, light bulbs, and LEDs—the seduction of pure light. Most of the film takes place at night, in fact, and in a certain sense the lights burn despite the night, if not in spite of it. (The film’s title, borrowed from the name of a convenience store, points t
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Springer-Verlag GmbH Wien 2013
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https://doi.org/10.1007/978-3-642-91585-7 half a dozen policemen on motorcycles, two identical presidential limousines speed around a corner and then pass by the camera. They are followed by a seemingly endless series of black Secret Service vans which dash by, one after the other, as if they were being expelled from a conveyor belt. Of co
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Sarah Morris,Hans Ulrich ObristNew volume in "Art and Architecture in Discussion" series.Contributions to the interface of Art and Architecture.Lead by Hans Ulrich Obrist.Includes supplementary material:
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Art and Architecture in Discussionhttp://image.papertrans.cn/a/image/155672.jpg
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