Titlebook: An Introduction to Shakespeare’s Comedies; Patrick Swinden Book 1973 Patrick Swinden 1973 literature.poetics.poetry.William Shakespeare

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,A Midsummer Night’s Dream, to support this view is sparse and inconclusive, but I should have thought the internal evidence was clear. The theme of the play is marriage. Three couples are married at the end of it, and one more, Oberon and Titania, have represented another version of the married state throughout. Theseus and

nocturia

The Merchant of Venice,f .. Terry Hands, who directed it, decided to play one of the games I was talking about. Before the first night he gave it out that there would only be one chair on stage, suggesting that his would be a production stripped of superfluities and reduced to its bare essentials. Then, as the audience fi

Dungeon

Falstaff, reflection of the Falstaff we feel we know. When we think of Falstaff, we think of him as he appears in the two parts of ., the fat knight whose banter with Hal, Poins, Mistress Quickly and the Lord Chief Justice provides the comic sub-plot of these plays. Removed from the Boar’s Head tavern and hi

FOIL

Inelasticity

Twelfth Night,h must have taken place at least a year earlier, as Shakespeare wrote the play before or during 1600. But the record of it that Manningham gives (Manningham was a barrister at the Temple) provides us with two useful pieces of information. The play was suitable for private performance on one or other

錯(cuò)事

,The Winter’s Tale, sea journey, the one to a seaport, the other to an island in the Mediterranean. In both cases the journey leads to confusion and then to joy — in the restoration of parent to child and in the repeal of a harsh sentence imposed by one of the characters (in authority at the time) on one or more of th

BILIO

博愛家

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Overview: 978-1-349-01753-9978-1-349-01751-5