Titlebook: ;

bifurcate

catagen

Trans Beauty: Mutations, Embodiments, and Collective Images, interesting ways. It also offers an overview of how body investment is perceived in this context, as both the only way for personal and social affirmation and also, simultaneously, as a form of agency.

Injunction

新星

The Fully Endoscopic Subtemporal Approach,ther than another. It also explores the meanings of categorization, analyzing the profound relationship between the construction of the sense of the self, in this case a gender variant sense of the self, and the territory, namely the city.

faultfinder

The Neapolitan ,: Past and Present of a Postmodern Antiquity,nship with corporeality and the processes of construction of one’s own gender non-conforming subjectivity in the context of reference, and examines the conflicts and friction that occur within local LGBTQIA+ communities due to the question of belonging to categories which are defined through a certain bodily conformity.

處理

Conclusion,ther than another. It also explores the meanings of categorization, analyzing the profound relationship between the construction of the sense of the self, in this case a gender variant sense of the self, and the territory, namely the city.

AV-node

Introduction,rch. Starting from her memories as a teenager in the city, the chapter highlights the author’s relationship with the fieldwork, focusing on her positioning in research as a cisgender woman. This chapter also provides information about the methodology used by the author in more than a decade of field

cuticle

Genders, INC.: Definitions, Disguises, and Transitions,w gendered subjectivities, and new bodies, along with new relationships with the body, have emerged in relation (and also in contrast) to the power and knowledge that have accumulated over time. It investigates the cultural nature of gender binarism, with particular reference to the so-called Wester

滴注

The Neapolitan ,: Past and Present of a Postmodern Antiquity,history of Naples. It analyzes the way the ., as an ‘a(chǎn)ncient’ figure, acts as a mirror that reflects the past, namely an ‘a(chǎn)ntique’ way of living the gender variant self, and at the same time embodies gender fluidity within the framework of queer culture. The chapter also analyzes the complex relatio

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