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Titlebook: Amputation in Literature and Film; Artificial Limbs, P Erik Grayson,Maren Scheurer Book 2021 The Editor(s) (if applicable) and The Author(

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期刊全稱Amputation in Literature and Film
期刊簡稱Artificial Limbs, P
影響因子2023Erik Grayson,Maren Scheurer
視頻videohttp://file.papertrans.cn/155/154758/154758.mp4
發(fā)行地址Studies amputation as an experience of disability and as a literary device.Considers the relationship between amputation and prosthetics, a central metaphor of the discourse in disability studies.Incl
學(xué)科分類Literary Disability Studies
圖書封面Titlebook: Amputation in Literature and Film; Artificial Limbs,  P Erik Grayson,Maren Scheurer Book 2021 The Editor(s) (if applicable) and The Author(
影響因子.Amputation in Literature and Film: Artificial Limbs, Prosthetic Relations, and the Semiotics of “Loss”?.explores the many ways in which literature and film have engaged with the subject of amputation. The scholars featured in this volume.?.draw upon a wide variety of texts, both lesser-known and canonical, across historical periods and language traditions to interrogate the intersections of disability studies with social, political, cultural, and philosophical concerns. Whether focusing on ancient texts by Zhuangzi or Ovid, renaissance drama, folktales collected by the Brothers Grimm, novels or silent film, the chapters in this volume highlight the dialectics of “l(fā)oss” and “gain” in narratives of amputation to encourage critical dialogue and forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.
Pindex Book 2021
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“She Had Wept So Long and So Much on the Stumps”: Amputation and Embodiment in “The Girl Without Hannto womanhood. Drawing upon theories of feminine abjection coined by Julia Kristeva and developed by Barbara Creed, the chapter argues that the loss of the protagonist’s hands also evokes and serves as a vehicle to negotiate a number of culturally potent anxieties about female identity and agency.
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in Novel and Film: Grieving with the Vengeful Amputeexamining how alterations in narrative structure and other formal changes (written to visual, chapter breaks to editing, etc.) invoke alternative audience engagement resulting in an empathic relationship with a complex protagonist unable to reconcile his grief, thereby unsettling simplistic ideas about audience relationships to onscreen disability.
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“The Blunt Remnant of Something Whole”: Living Stumps and Prosthetic Relations in Thomas Bernhard’s ity, they allow for a reflection on and a transformation of these response patterns. In addition, the novels make room for a vision of social relations as enabling, drawing out new narratives about amputation involving love, mourning, and interdependence.
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Book 2021nd forge an integrated, embodied understanding of experiences of impairment in which mind and body, metaphor and materiality, theory and politics are considered as interrelated and interacting aspects of disability and ability.
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