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Titlebook: American Televangelism and Participatory Cultures; Fans, Brands, and Pl Denis J. Bekkering Book 2018 The Editor(s) (if applicable) and The

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發(fā)表于 2025-3-21 19:10:11 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱American Televangelism and Participatory Cultures
期刊簡(jiǎn)稱Fans, Brands, and Pl
影響因子2023Denis J. Bekkering
視頻videohttp://file.papertrans.cn/155/154601/154601.mp4
發(fā)行地址Offers a new way of looking at television preaching, as it focuses on unintended fans of televangelists – individuals who found these preachers amusing rather than uplifting.Challenges research on rel
學(xué)科分類Contemporary Religion and Popular Culture
圖書(shū)封面Titlebook: American Televangelism and Participatory Cultures; Fans, Brands, and Pl Denis J. Bekkering Book 2018 The Editor(s) (if applicable) and The
影響因子.This book examines unintended participatory cultures and media surrounding the American televangelists Robert Tilton and Tammy Faye Bakker-Messner. It brings to light heavily ironic fan followings; print, audio, and video projects; public access television parodies; and other comedic participatory practices associated with these controversial preachers from the 1980s onwards. For Tilton’s ministry, some of these activities and artifacts would prove irksome and even threatening, particularly an analog video remix turned online viral sensation. In contrast, Bakker-Messner’s “campy” fans – gay men attracted to her “l(fā)udicrous tragedy” – would provide her unexpected opportunities for career rehabilitation...?Denis J. Bekkering. .challenges “supply-side” religious economy and branding approaches, suggestions of novelty in religion and “new” media studies, and the emphasis on sincere devotion in research on religion and fandom. He also highlights how everyday individuals have long participated in public negotiations of Christian authenticity through tongue-in-cheek play with purported religious “fakes.”.
Pindex Book 2018
The information of publication is updating

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發(fā)表于 2025-3-21 23:26:41 | 只看該作者
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發(fā)表于 2025-3-22 03:25:10 | 只看該作者
Tammy Faye Bakker, Campy Fandom, and Ludicrous Tragedy,s widely mocked for its prosperity message and extravagant style, and fell apart under the weight of financial and sexual scandals. Tammy Faye herself was roundly ridiculed for her purportedly extreme appearance and emotions—attributes that would attract an unintended fan following of gay men who ap
地板
發(fā)表于 2025-3-22 06:05:47 | 只看該作者
and a Complicated Rebranding,uced and directed by a pair of campy fans, . brought the first wave of campy fandom’s mix of ironic humor and genuine admiration to the American mainstream, but with a dulled critical edge. Most significantly, whereas earlier campy fans often criticized Tammy Faye’s religious authenticity, . suggest
5#
發(fā)表于 2025-3-22 10:37:03 | 只看該作者
Conclusion, utility of televangelist-focused Recreational Christianity for Emerging Evangelicals, before briefly highlighting playfully critical online appropriations of infamous television preacher Jim Bakker’s new ministry. Finally, it reiterates the positive impact of Tammy Faye Bakker-Messner’s campy fans
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發(fā)表于 2025-3-22 14:24:29 | 只看該作者
7#
發(fā)表于 2025-3-22 19:16:01 | 只看該作者
2945-7777 ers amusing rather than uplifting.Challenges research on rel.This book examines unintended participatory cultures and media surrounding the American televangelists Robert Tilton and Tammy Faye Bakker-Messner. It brings to light heavily ironic fan followings; print, audio, and video projects; public
8#
發(fā)表于 2025-3-23 00:41:55 | 只看該作者
Physikalische und technische Grundlagen,preciated her for her camp value. This chapter outlines a first wave of Tammy Faye “campy” fans that emerged in the 1980s. It argues that the concept of “l(fā)udicrous tragedy” best explains these fans’ intriguing combination of ironic, and even critical, humor with genuine admiration.
9#
發(fā)表于 2025-3-23 03:37:00 | 只看該作者
Tammy Faye Bakker, Campy Fandom, and Ludicrous Tragedy,preciated her for her camp value. This chapter outlines a first wave of Tammy Faye “campy” fans that emerged in the 1980s. It argues that the concept of “l(fā)udicrous tragedy” best explains these fans’ intriguing combination of ironic, and even critical, humor with genuine admiration.
10#
發(fā)表于 2025-3-23 09:18:19 | 只看該作者
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