Titlebook: American Sea Literature: Seascapes, Beach Narratives, and Underwater Explorations; Shin Yamashiro Book 2014 Shin Yamashiro 2014 America.hi

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The Contours of Waste and its Remainders in ying these concepts, the author proposes to divide sea literature into three types: on the sea, by the sea, and beneath the sea; thereby, we can better look at American sea literature from the colonial period to the twentieth century, appreciating its historical trends, multifaceted varieties, and e

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https://doi.org/10.1007/978-3-658-20315-3 history haven’t looked at the oceanic environment as a whole, which resulted in too much an emphasis on fishing, trading, voyages, explorations on the ocean. Such a slant view to maritime activities might have to do with: first, humans’ existence as terrestrial beings, who have tended to look at th

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,Die Selbstreferentialit?t der Kunst, tank on a roof, the ocean looks as though it stands aloof; and yet, the oceanic is omnipresent and vital to our existence. While water is an essential element, an indispensable component of all forms of life, the oceanic and its multifaceted presence cannot be possible without the terrestrial. Wate

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Introduction: On the Sea, By the Sea, Beneath the Sea,ying these concepts, the author proposes to divide sea literature into three types: on the sea, by the sea, and beneath the sea; thereby, we can better look at American sea literature from the colonial period to the twentieth century, appreciating its historical trends, multifaceted varieties, and everlasting imperatives.

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,American Sea Literature—, the Sea,. Half Mile Down, . The Silent World, . The Deep.

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