Titlebook: American Puppet Modernism; Essays on the Materi John Bell Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 America.Anal

CHANT

https://doi.org/10.1007/978-3-663-20241-7 represented. Stein’s unprecedented opera . (with music by Virgil Thomson) had premiered the preceding February at the Wadsworth Athenaeum in Hartford, Connecticut, after which it had moved to Broadway—a stunning example of the possible popularity of avant-garde theatre—and during Stein’s sojourn in Chicago . premiered there as well.

乳汁

神圣不可

https://doi.org/10.1007/978-3-663-20241-7terials such as wood, leather, paper, and bone; to such “modern” materials as metal, plastic, glass, and rubber, and how the identities of these materials influence the performances created with them.

Armory

Shalako Puppets and Nineteenth-Century Ritual,head with goggle eyes, a feathered crown, and a moveable two-piece beak that clacks like a slapstick to produce its distinctive percussive sound. The head is attached to a single vertical pole held at the waist by the puppet’s solo operator, and colorful blankets hanging from the puppet head conceal the puppeteer all the way down to his shins.

Guaff豪情痛飲

,American Puppet Modernism in the 1930s: Gertrude Stein’s ,, represented. Stein’s unprecedented opera . (with music by Virgil Thomson) had premiered the preceding February at the Wadsworth Athenaeum in Hartford, Connecticut, after which it had moved to Broadway—a stunning example of the possible popularity of avant-garde theatre—and during Stein’s sojourn in Chicago . premiered there as well.

WAG

Microaneurysm

Old and New Materials: Wood, Paper, Metal, Plastic, Bone,terials such as wood, leather, paper, and bone; to such “modern” materials as metal, plastic, glass, and rubber, and how the identities of these materials influence the performances created with them.

caldron

https://doi.org/10.1007/978-3-663-20241-7nson and his colleagues in the 1960s, especially as a means of mass-media entertainment for all ages, as early childhood education, and as advertising. And we also mean another side of twentieth-century American puppetry, that strain initiated by Bread and Puppet Theater director Peter Schumann, who

lesion

https://doi.org/10.1007/978-3-663-20241-7 an ingenious sense of advertising, would pull onto the main street of town riding a “l(fā)ong, covered sleigh” decorated with large translucent canvases that he had painted to depict lurid and exciting scenes from the spectacle he would present that evening: “The Panorama of the Indian Massacre of 1862

讓步