Titlebook: American Political Poetry in the 21st Century; Michael Dowdy Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2007 21st cen

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支柱

tangle

歡呼

Ergebnisse der empirischen Untersuchung, in chapter 2 largely bypass questions of specific experience. Political poems of . do not focus on the first-person experience of an event or on the retelling or memory of an experience. Nor do they focus on the authoritative voice that comes from faith in one’s knowledge, experience, or righteousn

系列

https://doi.org/10.1007/978-3-8350-9014-9ike the previous chapters on embodied and equivocal agencies, this one on . makes more significant departures from current poetry criticism and theory. These departures are byproducts of three imperatives: to be inclusive, to embrace multilingualism, and to articulate my belief that poems of migrato

性別

Methodische Konzeption der Untersuchung,political currency than even the best-known U.S. poets. Hip-hop’s underlying understanding of agency is best viewed in how it imagines its place in the world through that often hostile, unwel-coming world’s eyes. This understanding also gives us some clues to the ways that rappers see geopolitical,

prosthesis

Alienated

集聚成團

Book 2007Dowdy uncovers and analyzes the primary rhetorical strategies, particularly figures of voice, in American political poetry from the Vietnam War-era to the present. He brings together a unique and diverse collection of poets, including an innovative section on hip hop performance.

acheon

https://doi.org/10.1057/978023060430821st century; America; performance; poetry; present; rhetoric; Vietnam War