Titlebook: American Horror Fiction; From Brockden Brown Brian Docherty Book 1990 Palgrave Macmillan, a division of Macmillan Publishers Limited 1990

Glitch

書目名稱American Horror Fiction影響因子(影響力)




書目名稱American Horror Fiction影響因子(影響力)學(xué)科排名




書目名稱American Horror Fiction網(wǎng)絡(luò)公開(kāi)度




書目名稱American Horror Fiction網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書目名稱American Horror Fiction被引頻次




書目名稱American Horror Fiction被引頻次學(xué)科排名




書目名稱American Horror Fiction年度引用




書目名稱American Horror Fiction年度引用學(xué)科排名




書目名稱American Horror Fiction讀者反饋




書目名稱American Horror Fiction讀者反饋學(xué)科排名

Digest

fiction. There are essays on Charles Brockden Brown, Edgar Allan Poe, H.P.Lovecraft, William Faulkner, Robert Bloch, Patricia Highsmith, Shirley Jackson, Stephen King and Suzy McKee Charnas, covering the period from 1798 to 1983. Each essay deals with a major figure in the genre, from Gothic orgina

觀點(diǎn)

Foam-Cells

Magisterial

PLE

,Robert Bloch’s Psycho: Some Pathological Contexts,c questions about it. It needs to be noted at the outset that this is an odd and difficult task, because of a peculiarity in the story itself: which is that it contains its own psychological explanation, attached near the end as an authenticated account by a psychiatrist of a series of events which were, in fact, closely based on real incidents.

MOTTO

https://doi.org/10.1007/978-3-662-34618-1ade death the culminating horror, but had concentrated on making the moment of death itself the ultimate horror. For Poe the horror lies in the animation of death itself. In his imagination, and in his hands as a writer, the terror lies in the vitality of death.

FLACK

Hay-Fever

DRAFT

https://doi.org/10.1007/978-3-662-34618-1ence, a figure of departure. For it fell to him to take his place as America’s first fiction writer of consequence, a begetter of that line of ‘romance’ which begins at the turn of the nineteenth century, and which, with key stop-overs at the likes of Poe, Melville and Hawthorne, evolves through to Faulkner and well beyond.