Titlebook: Allegorical Form and Theory in Hildegard of Bingen’s Books of Visions; Dinah Wouters Book 2022 The Editor(s) (if applicable) and The Autho

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Exegetical Form: The Eccentric Exegesis of the , suggest that the same formal mechanisms are at work in the allegorical and the exegetical text. Hildegard’s method resembles glossing, but goes beyond the individual gloss in creating a continuous narrative on the level of the sentence, of the single interpretation, and of a series of interpretatio

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Allegorical form: Narrative, the Cosmos, and the End of Time,and point out a formal difference between parables in the books of visions and in the letters. Second, I look at the special case of the allegorical description of the cosmos. A formal change takes place between similar descriptions in the first and the last book of visions, . and ., which I attribu

Instrumental

Allegorical Cognition through Words,argues that Hildegard participates in the shift of language questions from the domain of biblical exegesis to that of cognition and general epistemology during the period of early scholasticism. At the same time, it makes clear that hermeneutical structures deeply influence how Hildegard thinks abou

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Beliefs about Language and the Construction of Allegorical Form,lfth century. It analyses the allegorical form and the ideas that lie behind it as taking part in several contemporary developments in rethinking biblical exegesis and the question of theological language. Ultimately, I claim that the specific strategies employed by Hildegard in her allegory and all

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Book 2022nary’s use of allegory and allegorical exegesis is linked to theories of cognition, interpretation, and prophecy. It argues that the form of the allegorical vision is not just the product of a medieval symbolic mentality, but specific to Hildegard’s position and the major transformations taking plac

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Matt Chiu,Arlindo Silva,Siska Limtic use of allegory both as specific to her unique position as a female visionary, prophet, and author, and as a manifestation of the restructuring of literature and knowledge during the twelfth century.

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Design Computing and Cognition’22ns. Her exegesis is driven by a desire for coherence between single words, phrases, and metaphors and for narrative continuity at a thematic scale. What is left out is the level in between: the narrative continuity of the object text, or exactly what is normally the object of exegesis.

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