Titlebook: Alfred Jarry and Guillaume Apollinaire; Claude Schumacher Textbook 1984Latest edition Macmillan Publishers Limited 1984 Europe.Guillaume A

Patrimony

DAMP

The Other Ubu Plays,It is customary among critics and reviewers of Jarry to deplore the disproportionate importance accorded to . at the expense of the other two Ubu plays, . and . However, it must be said that a close investigation of the other two plays serves mainly to demonstrate the dramatic superiority of .

hermitage

駕駛

,Alfred Jarry (1873–1907), years later on All Saints’ Day (1 November) 1907, in what might be seen as a mock gesture of religious conformity typical of the man. The German forces of occupation, still roaming about the French countryside after 1870, were slowly withdrawing in 1873, and their evacuation was completed by 16 Sep

liaison

,The First Night of ‘Ubu roi’,de Paris) at 8.30 p.m. This performance was what is known as the générale, which strictly speaking means final dress rehearsal. In effect, at the turn of the century, the . was the most important event in the life of any play, as this was press night: all the critics and literati gathered to see the

heterodox

,Jarry’s Theatrical Ideas,a schoolmaster coincided with a whole attitude to life and became embodied in the Ubu fantasy. Jarry was essentially concerned with the expression of his personal ‘world within’. He was not solely, or even primarily, a man of the theatre, though he undoubtedly had a theatrical instinct of a highly i

antiquated

易于交談

jaunty

,Apollinaire’s Plays, 1917–18,Madeleine, he wrote, on 2 September 1915, ‘Yes, I should like to write plays as well. You shall help me do it. … Moreover, my darling, I like the theatre, but I don’t like to go too often, consequently I have fun every time I go to see a play….’

endocardium