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Titlebook: Alan Moore, Out from the Underground; Cartooning, Performa Maggie Gray Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 comic

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發(fā)表于 2025-3-21 18:57:02 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱Alan Moore, Out from the Underground
期刊簡(jiǎn)稱Cartooning, Performa
影響因子2023Maggie Gray
視頻videohttp://file.papertrans.cn/153/152234/152234.mp4
發(fā)行地址Researches an academically disregarded body of work, both in terms of Moore‘s early work and the history of British comics.Offers a distinctive approach to the study of Alan Moore‘s oeuvre.Challenges
學(xué)科分類Palgrave Studies in Comics and Graphic Novels
圖書封面Titlebook: Alan Moore, Out from the Underground; Cartooning, Performa Maggie Gray Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 comic
影響因子.This book explores Alan Moore’s career as a cartoonist, as shaped by his transdisciplinary practice as a poet, illustrator, musician and playwright as well as his involvement in the Northampton Arts Lab and the hippie counterculture in which it took place. It traces Moore’s trajectory out from the underground comix scene of the 1970s and into a commercial music press rocked by the arrival of punk. In doing so it uncovers how performance has shaped Moore’s approach to comics and their political potential. Drawing on the work of Bertolt Brecht, who similarly fused political dissent with experimental popular art, this book considers what looking strangely at Alan Moore as cartoonist tells us about comics, their visual and material form, and the performance and politics of their reading and making..
Pindex Book 2017
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發(fā)表于 2025-3-22 00:14:09 | 只看該作者
Palgrave Studies in Comics and Graphic Novelshttp://image.papertrans.cn/a/image/152234.jpg
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發(fā)表于 2025-3-22 01:57:01 | 只看該作者
https://doi.org/10.1007/978-3-319-66508-5comics studies; Alan Moore; zine; underground; cartoonist; comics writer; United Kingdom; comics history; li
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Components of Data Base Planningunderground and its growing confrontation with the political establishment in the 1970s, including how countercultural values, debates, and conflicts were expressed in the form of comics. Part of a network of hippie anti-institutions, it was the experimental Arts Lab movement that most shaped Moore’
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發(fā)表于 2025-3-23 04:19:43 | 只看該作者
Monitoring Data Base Performancest published, in the form of his weekly ‘Maxwell the Magic Cat’ strip. It looks at Moore’s recent performance and cartooning work with the new incarnation of the Northampton Arts Lab as demonstrating a continuity of the attitude to creative practice and Brechtian approach to the politics of form tha
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發(fā)表于 2025-3-23 06:17:37 | 只看該作者
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