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Titlebook: Ageing, Popular Culture and Contemporary Feminism; Harleys and Hormones Imelda Whelehan (Professor of English and Gender S Book 2014 Palgra

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發(fā)表于 2025-3-23 12:08:04 | 只看該作者
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發(fā)表于 2025-3-23 15:39:17 | 只看該作者
,‘Mrs Robinson Seeks Benjamin’: Cougars, Popular Memoirs and the Quest for Fulfilment in Midlife andity of the ‘cougar’: an older woman who seeks younger lovers. By celebrating a woman’s capacity to ‘flirt, flourish and fornicate into [her] fifties and beyond’,. both Salisbury’s debut memoir and its sequel, . (2009), ride the crest of the wave of this recent fascination with sexually agentic midli
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發(fā)表于 2025-3-23 19:28:34 | 只看該作者
,‘The (un-Botoxed) Face of a Hollywood Revolution’: Meryl Streep and the ‘Greying’ of Mainstream Cind even less about older ones, Streep’s reinvention was all the more remarkable; it was nothing short of ‘a(chǎn) Hollywood revolution’, in fact, as the subsequent success of rom-com . (Nancy Meyers, 2010) underlined further still. Indeed, the box-office performance of all these films appears to point to c
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發(fā)表于 2025-3-24 01:01:58 | 只看該作者
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發(fā)表于 2025-3-24 05:27:39 | 只看該作者
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發(fā)表于 2025-3-24 09:46:03 | 只看該作者
The Older Mother in ,e than quadrupled in the last three decades, a fact reflected by the intense debate (and often criticism) surrounding older mothers in a wide range of popular media texts.. While much important work has focussed upon the pregnant body and the vilification of the young, working-class mother, the olde
17#
發(fā)表于 2025-3-24 10:48:01 | 只看該作者
,Beyond Wicked Witches and Fairy Godparents: Ageing and Gender in Children’s Fantasy on Screen,ntasy is defined and promoted by age appropriateness. The profusion of witches and older men in addition to youthful heroes and heroines enables explorations of power, agency and marginalisation. It might be expected that representations of ageing in children’s fantasy have progressed in recent year
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發(fā)表于 2025-3-24 18:33:25 | 只看該作者
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發(fā)表于 2025-3-24 22:23:24 | 只看該作者
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發(fā)表于 2025-3-24 23:27:35 | 只看該作者
Saurabh Kumar,Sandeep Kumar Shuklasensus of the compendium was that the ‘sisterhood’ had certainly not forgotten older women, the recognition that it needed to catch up with the issues that are pertinent to this older generation of women today was clear.
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