Titlebook: Ageing, Gender, Embodiment and Dance; Finding a Balance Elisabeth Schwaiger Book 2012 Palgrave Macmillan, a division of Macmillan Publisher

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Maria Lia Scribano,Maria Laura Annunziatar, theory is best when informed by evidence, and in this case the informants with whom I conducted life-history interviews between 2000 and 2004 were currently in employment in Australia, India, Ireland, the Netherlands and Germany. In this chapter, their voices are featured and ‘give life’ to theor

對待

Fillet,Filet

crockery

Recurrent CD: Medical Prophylaxis,red ageing. There are numerous counterexamples to Western normative understandings, which legitimize certain bodies in the context of public dance performance, which can be found in Europe, the United States and Canada, and Australia. In the following, final chapter I will then examine cross-cultura

船員

Devinder Kumar,John Alexander-Williamsontroversial’ and nonmainstream practices, of which there are numerous examples. These include Japanese Butoh cofounder and dancer Kazuo Ohno’s cross-dressing performances in his 80s, and the trancelike whirling of the Mevlevi Order (also known as Mevlevi Dervishes, or Whirling Dervishes), amongst o

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Dancing between Construction and Experience,oader structures addressing ageing and gender, focusing on how age and gender-based cultural norms are culturally and institutionally mediated and experienced by dancers. In particular, how might these norms prescribe gendered ageing? And how might they be perpetuated or transformed through performative practices and relations?

Palpitation

orms which equate ageing with bodily decline and draws on an interdisciplinary theoretical framework to explore alternatives for developing a culturally valued mature subjectivity through the practice of dance.978-1-349-32515-3978-0-230-35908-6

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