Titlebook: Age of the Geek; Depictions of Nerds Kathryn E. Lane Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 Geekdom.Nerddom.Geeks/

dendrites

蟄伏

Arboreal

Critical Loads and Dynamic Risk Assessmentsding the construction of black masculinity in African-American culture. “How Is It Okay to Be a Black Nerd?” concludes with a discussion of the lack of female representations of the black nerd in American popular culture, and its implications for the black community.

征稅

A Utilitarian Critique on Management Ethics,intellectualism is a frequent point of negotiation in her interactions with her family and peers. Despite these challenges, Alex continues to define herself, set clear and focused goals, and prevail through both failures and successes.

有發(fā)明天才

Jerzy Kociatkiewicz,Monika Kosteraeguard existing power structures in American society. Drawing on Antonio Gramsci’s notion of hegemonic discourse, this chapter demonstrates how nerd makeover movies teach teens that conformity, not creativity, is the true American Dream.

Repatriate

https://doi.org/10.1057/9781403914361ce fiction hybrid . (Wright, 2010), and the science fiction films . (Abrams, 2009) and . (Abrams, 2013) to explore the implications of this fusion, tracing key similarities between the geek and rake that make this fusion less unexpected than it would initially appear.

潔凈

旁觀者

Jerzy Kociatkiewicz,Monika Kosteral of whom contrast with the lead character of Jack, with each representing a different evolution of now-established nerd stereotypes. With .’ “nerd network”, race, gender, and sexuality stereotypes of nerd/geeks are explored, and potentially exploded.

majestic

Expediency