Titlebook: Agatha Christie and the Guilty Pleasure of Poison; Sylvia A. Pamboukian Book 2022 The Editor(s) (if applicable) and The Author(s), under e

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Dying Game : Unrepentant Outlaws in Christie and Doyle,atson were explicitly her models for Hercule Poirot and Hastings. While the Sherlock Holmes stories depict several female avengers, the heroine of Doyle’s lesser-known short story, “The Leather Funnel,” depicts a female poisoner who “dies game” or unrepentant. Typically, male outlaws die game rather

疲勞

Cheering Bystanders in Christie and Sayers,legal aftermath of a crime. In doing so, they highlight the power of often-overlooked bystanders to determine guilt, innocence, and true justice. In both novels, some of the bystanders support the female poisoner on the grounds that the crime delivered well-deserved comeuppance for behavior that typ

certain

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,The Poisoner’s Afterlives, a cultural shift in which the hated witch-poisoner figure is transformed into a figure of female empowerment. This new, empowering female outlaw, called the witchy poisoner, appears in popular texts from Christie’s “Philomel Cottage” to texts coinciding with the Girl Power movement (., . and the Me

含沙射影

Readers and the Poison Garden,e name contents tourism suggests, tourists may construct a fictional world using a variety of media and then travel to real-life destinations in order to blur the fictional and the real. This chapter examines the plots, characters, and settings associated with various poison gardens, including Torre

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Sylvia A. PamboukianLinks Christie’s impact to literary and cultural trends outside of puzzle plots.Rejects the conservative closure of the detective plot in favor of a more radical reading experience.Explores modern phe

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