找回密碼
 To register

QQ登錄

只需一步,快速開始

掃一掃,訪問微社區(qū)

打印 上一主題 下一主題

Titlebook: Afterlives of the Lady of Shalott and Elaine of Astolat; Ann F. Howey Book 2020 The Editor(s) (if applicable) and The Author(s), under exc

[復(fù)制鏈接]
樓主: Magnanimous
31#
發(fā)表于 2025-3-26 23:22:01 | 只看該作者
Better Deposit Guarantee Schemes of and allusions to the Lady/Elaine need to be understood for their contributions to cultural models and scripts. Whatever their stance on their pre-text(s), Lady/Elaine adaptations and allusions reiterate the importance of this figure as a way of imagining our options, whether to negotiate our rel
32#
發(fā)表于 2025-3-27 03:55:53 | 只看該作者
Ann F. HoweyAddresses a number of scholarly communities including Arthurian scholars, medievalists, and Victorian scholars.Extends the study of Arthurian characters by focusing on female characters via a feminist
33#
發(fā)表于 2025-3-27 09:13:40 | 只看該作者
34#
發(fā)表于 2025-3-27 12:11:13 | 只看該作者
The Lady and Elaine: Medieval Literature and Victorian Adaptation,hat tradition in the nineteenth century, and briefly surveys some of his contemporaries’ responses. By analyzing the medieval pre-texts and Tennyson’s poetry, and outlining relevant scholarly debates about them, this chapter establishes the literary context with which later adaptations engage.
35#
發(fā)表于 2025-3-27 13:52:07 | 只看該作者
36#
發(fā)表于 2025-3-27 20:22:22 | 只看該作者
Desire and Art: The Lady/Elaine in Historical Fiction and Fantasy,setting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.
37#
發(fā)表于 2025-3-28 00:08:00 | 只看該作者
38#
發(fā)表于 2025-3-28 05:51:05 | 只看該作者
39#
發(fā)表于 2025-3-28 07:53:18 | 只看該作者
40#
發(fā)表于 2025-3-28 12:00:41 | 只看該作者
Better Deposit Guarantee Schemessetting. Lisa Ann Sandell’s ., Gwen Rowley’s ., Phyllis Ann Karr’s “Two Bits of Embroidery,” and Patricia A. McKillip’s . demonstrate the ways medievalism and genre conventions intersect to facilitate representations of the Lady/Elaine as agents of desire and of artistic production.
 關(guān)于派博傳思  派博傳思旗下網(wǎng)站  友情鏈接
派博傳思介紹 公司地理位置 論文服務(wù)流程 影響因子官網(wǎng) 吾愛論文網(wǎng) 大講堂 北京大學(xué) Oxford Uni. Harvard Uni.
發(fā)展歷史沿革 期刊點(diǎn)評(píng) 投稿經(jīng)驗(yàn)總結(jié) SCIENCEGARD IMPACTFACTOR 派博系數(shù) 清華大學(xué) Yale Uni. Stanford Uni.
QQ|Archiver|手機(jī)版|小黑屋| 派博傳思國際 ( 京公網(wǎng)安備110108008328) GMT+8, 2025-10-14 04:24
Copyright © 2001-2015 派博傳思   京公網(wǎng)安備110108008328 版權(quán)所有 All rights reserved
快速回復(fù) 返回頂部 返回列表
南郑县| 永宁县| 尼玛县| 东乌珠穆沁旗| 海口市| 凤阳县| 库伦旗| 宝鸡市| 延津县| 新密市| 香河县| 辽宁省| 岫岩| 青田县| 砀山县| 襄城县| 武功县| 延吉市| 石渠县| 陇西县| 大田县| 都兰县| 柳林县| 木兰县| 弋阳县| 中山市| 阿鲁科尔沁旗| 石柱| 济宁市| 新龙县| 客服| 霞浦县| 余江县| 资溪县| 红原县| 白玉县| 江都市| 邢台县| 霸州市| 滦平县| 永嘉县|