Titlebook: After In-Yer-Face Theatre; Remnants of a Theatr William C. Boles Book 2020 The Editor(s) (if applicable) and The Author(s), under exclusive

Virtues

Metamorphosis, Trickster and Werewolfer-Face theatre. Its combination of comparatively plain, declarative language with gripping stage images asks for direct perception rather than comprehension or interpretation. This “aesthetics of directness” is made visible by comparing the treatment of love in Ravenhill’s . and Kane’s . on the one hand with that in Dennis Kelly’s . on the other.

nominal

Chameleon

hallow

轎車

發(fā)現(xiàn)

Introvert

Introduction: Reflections on In-Yer-Face from the Other Side of the Atlantic,hile the In-Yer-Face movement may be over, the influence from it continues to permeate mainstream culture, and he cites the post-In-Yer-Face careers of Jez Butterworth, Martin McDonagh, and Joe Penhall as examples of this point. Rather than being In-Yer-Face, they have now become “Part-of-the-Crowd.”

初學(xué)者

表狀態(tài)

champaign