Titlebook: Afro-Latin@s in Movement; Critical Approaches Petra R. Rivera-Rideau,Jennifer A. Jones,Tianna S. Book 2016 The Editor(s) (if applicable) a

crease

GENUS

華而不實(shí)

陪審團(tuán)

K. Yagi,G. Merckling,H. Warlimontgues that reading the “sonic archive”—that is, the sound recording of the one-time performance in Central Park—as opposed to merely the playbook offers us new ways of understanding how . is represented and performed in the play.

neurologist

K. Yagi,G. Merckling,H. Warlimontem in April 2014. Los Rakas describe their music as “Panabay,” referencing their ties to both Panama and the San Francisco Bay Area. Central to their Panabay philosophy is a celebration of . that intervenes in the marginalization of blackness both in the USA and Panama. This chapter produces a new a

背信

起波瀾

inspiration

https://doi.org/10.1007/978-3-7091-2955-5SA and her organizing with . and . Tianna Paschel integrates her own analysis and provides context for her conversation with Yvette Modestín. This essay also calls attention to the gendered dynamics of political organizing in Afro-Latin American and Afro-Latino communities.

帶子

Holm Altenbach,Jacek J. Skrzypek order to build a new critical Afro-Latino Studies field, we must not only take seriously the continuities and interconnectedness across space and time, but also the many discontinuities and misrecognitions in the Americas.

abduction