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Titlebook: African, Native, and Jewish American Literature and the Reshaping of Modernism; Alicia A. Kent Book 2007 Alicia A. Kent 2007 America.Ameri

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發(fā)表于 2025-3-21 19:34:53 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱African, Native, and Jewish American Literature and the Reshaping of Modernism
影響因子2023Alicia A. Kent
視頻videohttp://file.papertrans.cn/151/150862/150862.mp4
圖書封面Titlebook: African, Native, and Jewish American Literature and the Reshaping of Modernism;  Alicia A. Kent Book 2007 Alicia A. Kent 2007 America.Ameri
影響因子This book examines literature by African, Native, and Jewish American novelists at the beginning of the twentieth century, a period of radical dislocation from homelands for these three ethnic groups as well as the period when such voices established themselves as central figures in the American literary canon.
Pindex Book 2007
The information of publication is updating

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發(fā)表于 2025-3-21 21:32:48 | 只看該作者
Conclusion, one piece in the constellation of efforts to understand modernity from different vantage points. Viewing the modern era from the locations of those labeled traditional and primitive reveals that conventional understandings of modernity, whose relational meaning relies on its opposition to the traditional, have been selective and myopic.
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發(fā)表于 2025-3-22 06:58:52 | 只看該作者
,Native Americans: Moving from Primitive to Postmodern, Mourning Dove and D’Arcy McNickle,il War, portrayals of Indians shifted from innocents destroyed by modern civilization to violent threats to the progress of modern civilization. Minstrel shows reflected two dominant and pernicious views of Native Americans: primitive but disappearing representatives of a bygone era and violent, vicious threats to a new era.
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發(fā)表于 2025-3-22 10:10:07 | 只看該作者
al dislocation from homelands for these three ethnic groups as well as the period when such voices established themselves as central figures in the American literary canon.978-1-349-53800-3978-0-230-60510-7
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Introduction,ns with an invitation to go out into the night, the journey framed by the majestic beauty of the evening sky. The elegance of a rhyming couplet reinforces this splendor. But the beauty is abruptly undercut by the grotesque image of a patient etherized on a table, near dead, like the world that T. S. Eliot’s poem will go on to explore.
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