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Titlebook: African Roots, Brazilian Rites; Cultural and Nationa Cheryl Sterling Book 2012 Cheryl Sterling 2012 identity.national identity.ritual.trans

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發(fā)表于 2025-3-21 17:10:32 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱African Roots, Brazilian Rites
期刊簡稱Cultural and Nationa
影響因子2023Cheryl Sterling
視頻videohttp://file.papertrans.cn/151/150837/150837.mp4
圖書封面Titlebook: African Roots, Brazilian Rites; Cultural and Nationa Cheryl Sterling Book 2012 Cheryl Sterling 2012 identity.national identity.ritual.trans
影響因子This text explores how Afro-Brazilians define their Africanness through Candomblé and Quilombo models, and construct paradigms of blackness with influences from US-based perspectives, through the vectors of public rituals, carnival, drama, poetry, and hip hop.
Pindex Book 2012
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發(fā)表于 2025-3-21 22:47:18 | 只看該作者
Where Is Africa in the Nation? History as Transformative Praxis,med unsuited for social and economic access and mobility. If not deemed peripheral, African cultural markers were modified, co-opted, and renamed to suit the prevailing myth of democracia racial. Through the process of “.” [cleaning the blood] (Mattoso 191), the deliberate choice of racial and cultu
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,From Candomblé to Carnaval: Secularizing Africa and Visualizing Blackness,e identities, and reposition themselves in hierarchical social arrangements. Dichotomies such as self and Other cease to represent binary opposites, given that they often coexist during rites of spirit possession, masking, or the simple act of dressing up or down. In this complex play of identities,
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Centering Blackness: Hip-Hop and the Outing of Marginality,ural injunctions and imperatives, social contradictions, and social change. Like most literary and performative artistic forms, it reorders existence and allows us to inhabit a different world through its imaginative cultural narratives. Complementarily, popular music, says George Lipsitz, is by nat
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