Titlebook: African Literary NGOs; Power, Politics, and Doreen Strauhs Book 2013 Palgrave Macmillan, a division of Nature America Inc. 2013 Cultural St

ISSUE

書目名稱African Literary NGOs影響因子(影響力)




書目名稱African Literary NGOs影響因子(影響力)學(xué)科排名




書目名稱African Literary NGOs網(wǎng)絡(luò)公開度




書目名稱African Literary NGOs網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱African Literary NGOs被引頻次




書目名稱African Literary NGOs被引頻次學(xué)科排名




書目名稱African Literary NGOs年度引用




書目名稱African Literary NGOs年度引用學(xué)科排名




書目名稱African Literary NGOs讀者反饋




書目名稱African Literary NGOs讀者反饋學(xué)科排名

飛來飛去真休

,“The Landscape Had Not Its Like in All the World”,larly for the reader as yet unfamiliar with these Anglo-phone writing scenes. In this chapter, I therefore aim at giving insights into the literary and sociopolitical contexts against which African LINGOs, such as FEMRITE and Kwani Trust, need to be read in order to grasp more fully their present ro

漂白

African Literary NGOs (LINGOs), prizewinning contributors with the onset of the early 2000s. In the absence of publicly vibrant meeting places and platforms for creative expression, these organizations emerged as highly visible fora. Whereas the transnationally renowned writing of the 1960s and 1970s was dominated by outspoken wr

倫理學(xué)

碎石

Survival of the Fittest,ince the 1990s, non-African development aid agencies renewed their development policies in sub-Saharan Africa by shifting their funding objectives from governments to NGOs. Tina Wallace remarks in her essay “The Role of Non-Governmental Organizations in African Development: Critical Issues” that NGO

不朽中國

,“Tongues on Fire”,erature. Rather, literature produced within and promoted by African LINGOs is equally regarded as an instrumental site for cultural, social, and political commentary. According to their objectives and activities, African LINGOs have clearly perceived themselves as independent write- tanks aiming to

collagen

,“Words That Reshape a Country” and Literary Canons?, contextualize the discussion of agency and narrative at African literary NGOs (LINGOs) that I examine in this chapter. From between the late 1940s until the late 1990s, the literary worlds in Kenya and Uganda consisted of at least six large frameworks within and from which Anglophone writers were a

戰(zhàn)勝

Rewriting African Identity, Self, and Place,highly reflective of their immediate Ugandan and Kenyan environments. They are not so much preoccupied with writing back to the (colonial) empire—a notion that has previously been applied in postcolonial theory and thus has also been a recurring notion in the discussion of Anglophone writing from Ea

EXUDE

Provenance

Book 2013Proposing the novel concept of the "literary NGO," this study combines interviews with contemporary East African writers with an analysis of their professional activities and the cultural funding sector to make an original contribution to African literary criticism and cultural studies.