Titlebook: African American Literature and the Classicist Tradition; Black Women Writers Tracey L. Walters Book 2007 Tracey L. Walters 2007 America.A

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未成熟

Ambiguous

jealousy

,Gwendolyn Brooks’ Racialization of the Persephone and Demeter Myth in “The Anniad” and “In the Mecchis move away from Greco-Roman mythology, however, writers like Ralph Ellison, Robert Hayden, Leon Forrest, and Gwendolyn Brooks continued looking to the classics for literary inspiration, often marrying Western classical myth with contemporary cultural mythology. “The Anniad” (1949) and “In the Mec

虛構(gòu)的東西

arbiter

縱火

Countdown – 3 Kunstgenerationencentury women writers such as Phillis Wheatley and Pauline Hopkins established the tradition of African American women’s classical revision, I investigate how twentieth-century African American women writers Gwendolyn Brooks, Toni Morrison, and Rita Dove apply both modernist and postmodernist approa

煞費(fèi)苦心

Countdown – 3 Kunstgenerationenle link in a chain of narrative transmission: on either side of the version that it is authoritative for us, there stands a long line of other versions” (Graf 21). When engaging in a comparative reading of contemporary authors and their revisions of ancient classical narratives it is imperative to t

Indelible

Countdown – 3 Kunstgenerationenr first and only collection, . Wheatley’s affinity for the classics came as a result of her informal education under the tutelage of her slave owner’s daughter Susannah Wheatley. Susannah Wheatley introduced Phillis to Greco-Roman writers including Virgil, Ovid, and Terence, and neoclassical writer

Interim

Countdown – 3 Kunstgenerationenhis move away from Greco-Roman mythology, however, writers like Ralph Ellison, Robert Hayden, Leon Forrest, and Gwendolyn Brooks continued looking to the classics for literary inspiration, often marrying Western classical myth with contemporary cultural mythology. “The Anniad” (1949) and “In the Mec