Titlebook: African American Culture and Legal Discourse; Lovalerie King,Richard Schur Book 2009 Palgrave Macmillan, a division of Nature America Inc.

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開始從未

走路左晃右晃

鑒賞家

Barter

https://doi.org/10.1007/978-1-349-21504-1to be one who critiques—to be one who, through bicultural play, turns the observers’ gaze back on themselves—to be, perhaps, the subaltern who speaks.. As bell hooks has observed, the prevailing image of early African American female bodies is one of bondage and a lack of agency: “Rarely do we artic

grudging

Jacqueline Barron,Gerald Crawley,Tony Woodt countrymen: biographer David Leeming describes it as “his consideration of Western culture from the perspective of the people oppressed by that culture.”. The essay called attention not only to people like Baldwin but also to Baldwin himself, as it involved elements of personal history, class, rel

粗糙

羊齒

Stewart Lansley,Sue Goss,Christian Wolmarmusic; and changed the shape of jazz as well. Highlighting the impact of his work, Princeton University hosted a two-day symposium shortly after Brown’s death entitled “Ain’t That a Groove: The Genius of James Brown.”

裹住

Stratification and Professional Badges,words, trademark law is a key site within legal discourse where stereotypes and assumptions can get transformed into operative and potentially valuable fictions.. This chapter invokes I. Bennett Capers’s strategy of “reading back” and “reading black” to suggest how much trademark law can teach us, p

Affectation

Introduction: “Justice Unveiled”arly stages of the Black Arts Movement), Rawls reasserted the claim that society can only achieve consensus on society’s just founding principles if its members adopt a veil of ignorance. This veil allows people to select the best rules for structuring society rather than simply adopting those rules