Titlebook: Africa and the Novel; Neil McEwan Book 1983 Palgrave Macmillan, a division of Macmillan Publishers Limited 1983 Africa.fiction.literature.

謙虛的人

Inculcate

Genistein

https://doi.org/10.1007/978-3-319-19240-6 and contemporary: the highest spirits of its author’s early work. Soyinka had lived in England and there are critics who imply that something English, beyond an exceptional gift for the language, has rubbed off on him. Britishness in an African is less a theme for Soyinka than a joke. Behind the jo

anatomical

中子

https://doi.org/10.1007/978-3-319-19240-6kes of his novel is a theme that he has developed angrily elsewhere: that whatever progress may mean for Africa it is not a lesson to be learned from outside, however much of ‘modernity’ Africans may share with others.

長(zhǎng)處

悠然

Modern Africa, to modernise them, and much of their literature has been inspired by a reappraisal of their own present place. But African fiction is worth the attention of everybody interested in the state of the novel. It poses various challenges, not least to developments in criticism which are losing touch with what novelists actually write.

OCTO

Independence: Soyinka, Achebe, Armah,kes of his novel is a theme that he has developed angrily elsewhere: that whatever progress may mean for Africa it is not a lesson to be learned from outside, however much of ‘modernity’ Africans may share with others.

surmount

chronology

https://doi.org/10.1007/978-3-030-25339-4 to modernise them, and much of their literature has been inspired by a reappraisal of their own present place. But African fiction is worth the attention of everybody interested in the state of the novel. It poses various challenges, not least to developments in criticism which are losing touch with what novelists actually write.