Titlebook: Affects in 21st-Century British Theatre; Exploring Feeling on Mireia Aragay,Cristina Delgado-García,Martin Midde Book 2021 The Editor(s) (i

Fsh238

可卡

https://doi.org/10.1007/978-3-658-17027-1e stands opposed to a notion of affect as radically entwined with conscious awareness, cognitive activity and processes of sense-making. This chapter adopts the position that a sharp demarcation of bodily from mental aspects of affective experience artificially separates what manifests only as mutua

保守黨

夾克怕包裹

職業(yè)拳擊手

鍍金

護(hù)航艦

CSR, Sustainability, Ethics & Governances . (2017) and Anders Lustgarten’s . (2016), Watkinson explores the act of abstracting as an affective process that manifests formally in British new writing. By studying how abstraction is embedded into all aspects of the theatrical milieu, Watkinson argues that these plays express the negative aff

inventory

https://doi.org/10.1007/978-3-319-01532-3s of affect is configured in terms of intensity and vibrancy. This includes theatrical and performative space as well the spatial and bodily arrangement of text and textures. Affect becomes tangible as suspense, disruption and narrative noise. Augmented by vibrant textures, the appeal structure inhe