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Titlebook: Affective Moments in the Films of Martel, Carri, and Puenzo; Inela Selimovi? Book 2018 The Editor(s) (if applicable) and The Author(s) 201

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發(fā)表于 2025-3-21 16:21:54 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
期刊全稱(chēng)Affective Moments in the Films of Martel, Carri, and Puenzo
影響因子2023Inela Selimovi?
視頻videohttp://file.papertrans.cn/151/150635/150635.mp4
發(fā)行地址Highlights contemporary Argentine women filmmakers‘ appeals to affect.Points out how the presence of affect complicates emotional bonding or empathic relations in the films of Lucrecia Martel, Alberti
圖書(shū)封面Titlebook: Affective Moments in the Films of Martel, Carri, and Puenzo; Inela Selimovi? Book 2018 The Editor(s) (if applicable) and The Author(s) 201
影響因子This book studies the intimate tensions between affect and emotions as terrains of sociopolitical significance in the cinema of Lucrecia Martel, Albertina Carri, and Lucía Puenzo. Such tensions, Selimovi? argues, result in “affective moments” that relate to the films’ core arguments. They also signal these filmmakers’ novel insights on complex manifestations of memory, desire, and violence. The chapters explore how the presence of pronounced—but reticent—affect complicates emotional bonding in the everydayness depicted in these films. By bringing out moments of affect in these filmmakers’ diegetic worlds, this book traces the ways in which subtle foci on gender, class, race, and sexuality correlate in these Argentine women’s films.
Pindex Book 2018
The information of publication is updating

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Palgrave Macmillan Asian Business Seriesto the headline-making gestures in the public sphere.” . adds to this conversation—without sealing off categorically these cinematographic works under “women’s cinema” in an outmodedly essentialist spirit—by examining these filmmakers’ appeals to affect. While each of these filmmakers has individual
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Affective Moments in the Films of Martel, Carri, and Puenzo978-1-137-49642-3
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