Titlebook: Affective Methodologies; Developing Cultural Britta Timm Knudsen,Carsten Stage Book 2015 The Editor(s) (if applicable) and The Author(s) 2

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Researching Affect and Embodied Hauntologies: Exploring an Analytics of Experimentationat foregrounds the researcher’s own affective investments in the subject under investigation. It will reflect on whether we can only do research with which we are already entangled, and on that basis, what kinds of methods might allow for such sensitivities. The chapter will argue that methodologica

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品牌

Diasporic Montage and Critical Autoethnography: Mediated Visions of Intergenerational Memory and thegmented memory. In this chapter, I employ a performative, critical, and (un)locatable autoethnographic writing approach to explore the affective transmission of trauma. In my research, I am particularly interested in exploring how traumatic memory can affectively pass from one generation to the next

過時

Methods in Motion: Affecting Heritage Researchyses for the construction of meaning in the semiotic landscapes of heritage. Instead, the chapter points to styles of research practice that capture the essences of encounters and engagement in moments of emergent meaning within the affective and representational milieu of heritage. The chapter argu

專心

Obloquy

The Scent of a Rose: Imitating Imitators as They Learn to Love the Prophetd three times a week among Danish Pakistani Sufi brothers who follow the transnational . (path, order) called Naqshbandi Mujadiddi Saifi, named after the late shaykh Saif ur-Rahman, who passed away in 2010 and has his shrine at the outskirts of Lahore in Pakistan. At the . gatherings, young . (follo

蟄伏

slipped-disk

Affect, Provocation, and Far Right Rhetoricfect as a force or kind of intensity to be thought separate from processes of signification or discursive construction, indeed, as something that fundamentally disturbs or challenges the stability of such structures of meaning. As such, Brian Massumi and Steven Shaviro both emphasize the distinction

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