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只看該作者 · 發(fā)表于 2025-3-23 19:22:46

,Borderscape, Exile, Trafficking: The Geopoetics of Ying Liang’s , and Bai Xue’s ,ovide a possibility of border-thinking. Set on the border between Hong Kong and Shenzhen in China, a teenage schoolgirl embarks on a smuggling career by crossing physical borders and moral boundaries. The chapter examines the sociopolitical dynamics of borderscape and HKSAR cinema under the unstable “One Country, Two Systems.”

只看該作者 · 發(fā)表于 2025-3-23 23:23:20

只看該作者 · 發(fā)表于 2025-3-24 04:53:18

只看該作者 · 發(fā)表于 2025-3-24 08:20:16

The Holy Hole in Chinese Patriarchal Culture: Going Pop and South,ive turn to integrate popular culture from the south—Hong Kong and Taiwan. China’s millennial TV series of the . (swordplay) genre has leaned heavily toward the Jiangnan (River South) style to allegorize the whole female body. Holy Hole 2.0 on TV continues to reinforce Chinese patriarchal culture through cosplay, Jiangnan style.

只看該作者 · 發(fā)表于 2025-3-24 14:19:27

只看該作者 · 發(fā)表于 2025-3-24 17:13:24

只看該作者 · 發(fā)表于 2025-3-24 20:44:56

只看該作者 · 發(fā)表于 2025-3-25 03:06:12

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