Titlebook: Affect Theory, Genre, and the Example of Tragedy; Dreams We Learn Duncan A. Lucas Book 2018 The Editor(s) (if applicable) and The Author(s)

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書目名稱Affect Theory, Genre, and the Example of Tragedy影響因子(影響力)




書目名稱Affect Theory, Genre, and the Example of Tragedy影響因子(影響力)學(xué)科排名




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書目名稱Affect Theory, Genre, and the Example of Tragedy網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Affect Theory, Genre, and the Example of Tragedy被引頻次




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書目名稱Affect Theory, Genre, and the Example of Tragedy讀者反饋




書目名稱Affect Theory, Genre, and the Example of Tragedy讀者反饋學(xué)科排名

合唱隊(duì)

The Information Content of Dividendsound as much in language, art, and science, as in economic, political, and social institutions, as in the cerebrum, nervous system, and genes. He invigorates extant discourses of human beingness and opens under-explored lines on inquiry in affect theory and literary studies.

不足的東西

Matteo Pozzoli,Francesco Paoloneo discussion of Tomkins’ ideas about disgust (de)contamination and shame damage-reparation scripts and applies them to tragedy....Having set the theoretical conditions, the three case studies belong under the rubric of psychoanalytical readings. If readers accept that Tomkins’ affect-script theory c

AVOW

兩棲動(dòng)物

Introductionound as much in language, art, and science, as in economic, political, and social institutions, as in the cerebrum, nervous system, and genes. He invigorates extant discourses of human beingness and opens under-explored lines on inquiry in affect theory and literary studies.

滔滔不絕地說

flimsy

optional

Tomkins and Literature: A Hermeneutical Model world,” both individually and socially, and resonates evocatively with literary study as a mode of human expression. I formulate an . as a metaphor for affect-feeling states, which provides a hermeneutic for emotional content in four literary genres, including tragedy and comedy, romance, and irony-satire.

cajole

產(chǎn)生

?nder Kaymaz,?zgür Kaymaz,A. R. Zafer Sayareparate entities of disease and cure in .. Hamlet feels disgust in response to others’ shameful actions and his own shameful inaction. Like Oedipus, Hamlet is charged with discovering and exposing an unknown social criminal, a contaminant which rots Denmark, but while Hamlet accepts this burden, he is not responsible for the contamination.