Titlebook: Affect Theory and Early Modern Texts; Politics, Ecologies, Amanda Bailey,Mario DiGangi Book 2017 The Editor(s) (if applicable) and The Auth

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Arboreal

Amanda Bailey,Mario DiGangiEngages with a wealth of source material in Atlantic history including poetry, theater, fiction, and music.Carves a new path in Atlantic Studies through its exclusive focus on cities and their role in

Locale

Palgrave Studies in Affect Theory and Literary Criticismhttp://image.papertrans.cn/a/image/150600.jpg

FID

https://doi.org/10.1007/978-3-8350-9533-5. explore the connections among the insights of affect theory into subjectivity and emotion and earlier ways of conceiving of materiality and embodiment. In this introduction, we reveal the relevance of early modern texts to the key analytic rubrics driving affect theory, and suggest how the confron

使痛苦

Quantifying the Value of German Banks,ding the migration of the word “nothing” throughout the play as an index of what Sianne Ngai calls a “minor affect” allows us to bypass moments of highly charged emotion in order to focus on political affiliations constituted by natural, mimetic, sympathetic bonds driven by impersonal and unconsciou

有常識

陰險(xiǎn)

Mean-Variance Portfolio Analysisr present moment. Tracking back to early modern texts by Thomas More (.) and Edmund Spenser (.), it reads Berlant’s book as offering the latest installment in a long story of . or leisure as an ambivalently valued state of being keyed to discourses of political sovereignty and personal well-being, w

Camouflage

Mean-Variance Portfolio Analysis as a sin and a crime. Yet there is a third level at which medieval and early modern persons understood such actions as neither a moral quandary nor a philosophical exemplum but a medical problem for the emerging Renaissance sciences of life, vitality, and matter. What role might “affect” have in th

evanescent

https://doi.org/10.1007/978-3-658-34408-5he central focus is on the relationship between thinking and feeling in Thomas Wright’s . and the scholastic traditions Wright draws on and reformulates. The chapter also traces the beginnings, in the later seventeenth century, of a materialist psychology of the passions that is the distant ancestor

欲望

Einführung in die Corporate Financefect and the animal turn emerge new fallacies rendered particularly apparent in the proverbial .. Crocodile tears appear widely in Renaissance texts, denoting an entanglement of human and animal desires and affects—guile, compassion, and predation. These figures distill three fallacies: the ., presu